“Limes” is a Latin word meaning “side street”, “borderline”. Now, what’s with Bach and Gubajdulina, Schubert and Volodymyr Runchak, Domenico Turi and Saint-Saëns held together on the same accordion? Just leave out your astonishment and confusion, and let yourselves into…
Samuele Telari’s bayan virtuosity keeps its balance on many borders. A young instrumentalist, he was born in Spoleto, Italy in 1992 and he came into spotlight with the “Premio Abbado” award in 2015. His debut album is an atypical and…
Listen to Buy on Essentia is what is left when the two protagonists of this sound itinerary, the clarinet and the accordion, “strip off their clothes” (namely what they usually mean in the repertoire), returning to be pure instruments: essential,…
Listen to Buy on This work crosses different musical genres but it remains close to one unique style. It imposes its own musical vision which will fascinate people, if they decide to make this research trip.
Listen to Buy on We are living in a state of schizophrenia and phonolatry. We listen too much and badly. We are subjected to music, that is often obsessive. We idolize not the content of sound, but what contains it.…
Samuele Telari, Bajan as a concert instrument Accordion and Bayan are still considered as flok instruments; we’re lucky to have musicians as Samuele Telari, who are trying to break these prejudices. Read the article Quinte Parallele Article by Filippo Simonelli